(via horrorfixxx)

tinymediaempire:

“sung inside, a light crosses side to side until a sung reprise. till your lungs give out, till your lungs give out in time.”
24x36” 6 color screenprint.
2013

“There was only one Saul Bass. He was a gentleman, a brilliant raconteur, a marvelous collaborator and, as I’ve said before, a truly great artist. And – let’s be honest – a giant.”
— Martin Scorsese

“Saul Bass wasn’t just an artist who contributed to the first several minutes of some of the greatest movies in history; in my opinion his body of work qualifies him as one of the best film makers of this, or any other time.”
— Steven Spielberg

“Bass fashioned title sequences into an art, creating in some cases, like Vertigo, a mini-film within a film. His graphic compositions in movement function as a prologue to the movie – setting the tone, providing the mood and foreshadowing the action.”
— Martin Scorsese

(via tinasinatra)

pleoros:

Lindsay Josal

(via endofmarch)

  May 08, 2013 at 12:55am

How Broadway Has Changed ›

alec baldwin, of all people, perfectly articulates why i hate ben brantley (and fickle/bitter/ignorant theatre critics in general)

  May 07, 2013 at 06:46pm

mauvesteak:

The Obsession | Boris Ovini

(via realitys-outsider)

Rockettes rehearsal & backstage, 1964.

(Art Rickerby—Time & Life Pictures/Getty Images)

(via life)

(via fuckyeahalaskathunderfuck5000)

(via amindonceopened)